When it involves this Jamaican-born, New York–based artist, the primary focus is sort of at all times how he makes haunting use of found materials—a disused hearse, tossed-out strollers, shoelaces, all employed to imbue old objects with new life. But for this retrospective, the focus might be how Ward’s sculptural installations comprise performance-oriented elements that aren’t at all times instantly apparent. Central to the exhibition, which is able to characteristic new works, will be a grouping of installations that Ward initially produced between 1996 and 2000 for Ralph Lemon’s Geography Trilogy, a bunch of dance items that explore how reminiscences are communicated via movement. The most necessary biennial held in the United States is poised to reveal its might as soon as extra with this year’s version, the storied show’s 81st.

• Plus, long-lost Leonardo to go on view, Ai Weiwei in Minnesota, and Kal Spelletich’s jet-pack art.
• The January unveiling

When it involves this Jamaican-born, New York–based artist, the primary focus is sort of at all times how he makes haunting use of found materials—a disused hearse, tossed-out strollers, shoelaces, all employed to imbue old objects with new life. But for this retrospective, the focus might be how Ward’s sculptural installations comprise performance-oriented elements that aren’t at all times instantly apparent. Central to the exhibition, which is able to characteristic new works, will be a grouping of installations that Ward initially produced between 1996 and 2000 for Ralph Lemon’s Geography Trilogy, a bunch of dance items that explore how reminiscences are communicated via movement. The most necessary biennial held in the United States is poised to reveal its might as soon as extra with this year’s version, the storied show’s 81st.

• Plus, long-lost Leonardo to go on view, Ai Weiwei in Minnesota, and Kal Spelletich’s jet-pack art.
• The January unveiling